Banksy's works have dealt with various political and social themes, including anti-war, anti-consumerism, anti-fascism, anti-imperialism, anti-authoritarianism, anarchism, nihilism, and existentialism. Additionally, the components of the human condition that his works commonly critique are greed, poverty, hypocrisy, boredom, despair, absurdity, and alienation.[192] Although Banksy's works usually rely on visual imagery and iconography to put forth their message, Banksy has made several politically related comments in their various books. In summarising his list of "people who should be shot", he listed "Fascist thugs, religious fundamentalists, (and) people who write lists telling you who should be shot."[193] While facetiously describing his political nature, Banksy declared that "Sometimes I feel so sick at the state of the world, I can't even finish my second apple pie."[194]
One of Banksy’s more ‘meaningful’ artworks, this was discovered in Fitzrovia (London) in April 2011. It features a rat with red paint on his paw and a paw print on the wall next to him. He stands under the phrase ‘If Graffiti Changed Anything It Would Be Illegal’. It appears to be a swipe at the government due to its reference to an Emma Goldman quote: ‘If voting ever changed anything, it would be illegal’. She campaigned for Women’s rights and voting, and Banksy could be highlighting the fact that each individual vote may rarely change anything. If Graffiti Changed Anything It Would Be Illegal location.
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Banksy opened Dismaland, a large scale group show modelled on Disneyland on 21 August 2015. It lampooned the many disappointing temporary themed attractions in the UK at the time. Dismaland permanently closed on 27 September 2015. The "theme park" was located in Weston-super-Mare, United Kingdom.[127][128] According to the Dismaland website, artists represented on the show include Damien Hirst and Jenny Holzer.[129]
When Time magazine selected the British artist Banksy—graffiti master, painter, activist, filmmaker and all-purpose provocateur—for its list of the world’s 100 most influential people in 2010, he found himself in the company of Barack Obama, Steve Jobs and Lady Gaga. He supplied a picture of himself with a paper bag (recyclable, naturally) over his head. Most of his fans don’t really want to know who he is (and have loudly protested Fleet Street attempts to unmask him). But they do want to follow his upward tra­jectory from the outlaw spraying—or, as the argot has it, “bombing”—walls in Bristol, England, during the 1990s to the artist whose work commands hundreds of thousands of dollars in the auction houses of Britain and America. Today, he has bombed cities from Vienna to San Francisco, Barcelona to Paris and Detroit. And he has moved from graffiti on gritty urban walls to paint on canvas, conceptual sculpture and even film, with the guileful documentary Exit Through the Gift Shop, which was nominated for an Academy Award.

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One of Banksy’s more ‘meaningful’ artworks, this was discovered in Fitzrovia (London) in April 2011. It features a rat with red paint on his paw and a paw print on the wall next to him. He stands under the phrase ‘If Graffiti Changed Anything It Would Be Illegal’. It appears to be a swipe at the government due to its reference to an Emma Goldman quote: ‘If voting ever changed anything, it would be illegal’. She campaigned for Women’s rights and voting, and Banksy could be highlighting the fact that each individual vote may rarely change anything. If Graffiti Changed Anything It Would Be Illegal location.
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