In May 2009, Banksy parted company with agent Steve Lazarides and announced that Pest Control,[77] the handling service who act on his behalf, would be the only point of sale for new works. On 13 June 2009, the Banksy vs Bristol Museum show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[78][79] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[80] Over the course of the twelve weeks, the exhibition was visited over 300,000 times.[81] In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed it to be painted, was reported to have been in tears when she saw it was being painted over.[82]
Banksy’s Better Out Than In pieces in New York have met with some differing opinions. Many New Yorkers love them while others deem them acts of vandalism. However, with Ghetto for Life which appeared in the Bronx, the majority of residents found the work to be offensive saying that it helps to perpetuate stereotypes. It seems many have focused on the words and not the artwork which depicts a little boy spraying the words and being waited on by a butler. Banksy seems to be saying that the ‘ghetto’ image is just that – an image used for style purposes. That didn’t stop people flocking to see it and the building’s owner employed guards to protect it! Ghetto for Life location.
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This piece depicts a likeness of Charles Manson hitchhiking. It appeared close to Archway Tube in 2005, but it became the target of rival ‘Team Robbo’ who defaced the piece. It was later semi restored by cleaning off Robbo’s addition, but this led to it being painted out completely and eventually the decision was made to remove the piece completely.
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In 2003, at an exhibition called Turf War, held in a London warehouse, Banksy painted on animals. At the time he gave one of his very few interviews, to the BBC's Nigel Wrench.[41] Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[42] An example of his subverted paintings is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[43]


He loves to provoke, shock even to disturb society and that is why his work is so important. Despite his ability to break the rules, he remains to this day a mystery since his true identity has never been revealed. In all likelihood, Banksy is a Street art graffiti artist from Bristol, England. Philanthropist, anti-war and revolutionary, the artist uses his art as a medium for communication to say loud and clear his dissatisfaction with certain social phenomena, certain political situations or outright certain decisions adopted by world leaders. Born tentatively in 1974, it was not until the 1980s that he began to handle the aerosol, after completing a butcher training. But it was between 1992 and 1994 he became truly a graffiti artist, as part of a group called the Bristol's DrybreadZ Crew (DBZ), assisting his colleagues Kato and Tes.
The frame would presumably have been rather heavy and thick for its size, something an auction house specialist or art handler might have noticed. Detailed condition reports are routinely requested by the would-be buyers of high-value artworks. Unusually, this relatively small Banksy had been hung on a wall, rather than placed by porters on a podium for the moment of sale. And the artwork was also the last lot in the auction.
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In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this—Society!" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[69]

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There is some debate over whether or not Secured is actually a genuine Banksy artwork. It appeared on a boarded up window of a building in Concert Street, Liverpool and pokes fun at companies who use cheap migrant workers for jobs such as security guards. The full text reads “Secured – by sleepy migrant workers on minimum wage”. The board was exhibited at the Stealing Banksy exhibition, but as this was not done in partnership with Banksy and none of that displayed artworks were authenticated by Banksy or his representative Pest Control this does not prove that this is a genuine Banksy. Secured location
Diogenes Francis of Assisi Jean-Jacques Rousseau William Godwin Henry David Thoreau John Ruskin Leo Tolstoy Peter Kropotkin Thorstein Veblen Mahatma Gandhi Aldous Huxley Theodor W. Adorno Herbert Marcuse Erich Fromm E. F. Schumacher Henri Lefebvre Pier Paolo Pasolini Jacques Ellul David Riesman John Kenneth Galbraith Cornelius Castoriadis Fredy Perlman Arne Næss Guy Debord Abbie Hoffman Murray Bookchin Ivan Illich André Gorz Pierre Bourdieu Jacque Fresco Jean Baudrillard Zygmunt Bauman George Carlin Benjamin Barber Noam Chomsky Jürgen Habermas Gary Snyder Fredric Jameson Raoul Vaneigem Herman Daly Michael Löwy George Ritzer Serge Latouche Ted Kaczynski Kalle Lasn John Zerzan Jeremy Rifkin Al Gore Slavoj Žižek Vandana Shiva Bernard Stiegler Jigme Singye Wangchuck Amy Goodman Jello Biafra Arundhati Roy Chuck Palahniuk Banksy Naomi Klein Julia Butterfly Hill M.I.A.
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The techniques he operates seem relatively diversified. Obviously, he develops himself very detailed stencils, allowing us to believe he frequently makes use of IT (information technology) to achieve his task. Moreover, in the context of some works, there seem to be image translations, freehand painting and of course, a spray- painted part. Beloved child of the art world and a police authorities' nightmare, Banksy is also known as art terrorist in Britain. His ability to sneak around in museums and centers of public attractions, while maintaining anonymity is the cause.
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The Mona Lisa is perhaps the most famous painting of all time, and it is also one which is often parodied. Banksy is no exception. This re-imagining of Mona Lisa as a terrorist toting a rocket launcher appeared in London. It has been spotted in various locations, but it is unclear as to whether these are copies or if they all belong to the elusive Banksy.
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Keith Haring Dog, which was discovered in October 2010 in Bermondsey, London, pays tribute to legendary street artist Keith Haring. There is a juxtaposition of the hooded boy in Banksy’s dark and menacing stencil style and the more playful look of iconic stylized dog that Haring made famous in the 1980’s. The owner of the building which this piece adorns has attempted to preserve it with a clear perspex overlay. Keith Haring Dog location
In August 2004, Banksy produced a quantity of spoof British £10 notes replacing the picture of the Queen's head with Diana, Princess of Wales's head and changing the text "Bank of England" to "Banksy of England". Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at the Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.[44]
Banksy once characterised graffiti as a form of underclass "revenge", or guerilla warfare that allows an individual to snatch away power, territory and glory from a bigger and better equipped enemy.[45] Banksy sees a social class component to this struggle, remarking "If you don't own a train company then you go and paint on one instead."[45] Banksy's work has also shown a desire to mock centralised power, hoping that their work will show the public that although power does exist and works against you, that power is not terribly efficient and it can and should be deceived.[45]
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Artwork description & Analysis: Again, Banksy has taken a pre-existing image - in this case an iconic photograph from Vietnam in 1972, of a girl - Kim Phuc - fleeing from a napalm attack on her village. The original photograph was taken by associated press photographer Nick Ut and has developed into a short hand for the atrocities of the Vietnam War. Banksy has isolated the image of the horror-stricken girl (originally surrounded by a few other clothed children and seven soldiers running down a road away from the site of the napalm attack) and flanked her with Mickey Mouse and Ronald McDonald. These two instantly recognizable, smiling characters, when juxtaposed with the image of Napalm Girl, give the image a very twisted and sinister feel.
Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in the stencils, though it is assumed he uses computers for some images due to the photographic quality of much of his work. He mentions in his book Wall and Piece that as he was starting to do graffiti, he was always either caught or could never finish the art in one sitting. He claims he changed to stencilling while hiding from the police under a rubbish lorry, when he noticed the stencilled serial number. He then devised a series of intricate stencils to minimise time and overlapping of the colour.

Artwork description & Analysis: This mural was created in May 2008 on Leake Street, London, as part of the Cans Festival. It depicts a maintenance worker in an orange vest in the act of pressure washing art off of a wall. The art appears to be ancient cave paintings of warriors and animals (horses, deer, and or bison), much like the famous discovery in the caves at Lascaux, France.
Banksy’s first London exhibition, so to speak, took place in Rivington Street in 2001, when he and fellow street artists convened in a tunnel near a pub. “We hung up some decorators’ signs nicked off a building site,” he later wrote, “and painted the walls white wearing overalls. We got the artwork up in 25 minutes and held an opening party later that week with beers and some hip-hop pumping out of the back of a Transit van. About 500 people turned up to an opening which had cost almost nothing to set up.”
A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting, depicting a hooded member of the Ku Klux Klan hanging from a noose, was quickly covered with black spray paint and later removed altogether.[71] His first official exhibition in New York City, The Village Pet Store and Charcoal Grill, opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[72]
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