“No Ball Games” first appeared in Turnpike Lane, North London, in 2009 but was later removed in July 2013 by a private organisation called “Sincura Group” in order to display it at the “Stealing Bansky” exhibition, a private collection of original Banksy works. Sincura Group have claimed that they have made no profit from the exhibition. The same group were also responsible for removing Banksy’s Slave Labour piece (see next item) which appeared close by in Wood Green in 2012. Banksy himself has made it clear he has no links with either the group or the exhibition. Banksy No Ball Games location.
I Remember When All This Was Trees caused a great deal of controversy when it appeared on the derelict Packard auto-mobile plat in Detroit. There had been ongoing debates over who was responsible for the costs of cleaning up the abandoned site so it probably should not have come as a surprise that the appearance of the Banksy also sparked debates surrounding ownership. Ultimately the piece was removed and can now be seen on display at the 555 Gallery. l Remember When All This Was Trees location.
Flower Aerial Girl, in Los Angeles, features a young girl in silouhette tending a television aerial in the same manner as one would a pot of flowers. The aerial appears to have grown and has sprouted leaves suggesting that the more kids pay attention to TV, the more influence it cultivates. The piece remained relatively untouched on a gas station in Valero until the owner cut it out of the wall and auctioned it for a healthy sum.
On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[53] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina with Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[54] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[55] In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural that comes with a house attached.[56] In 2008, Nathan Wellard and Maev Neal, a couple from Norfolk, UK, made headlines in Britain when they decided to sell their mobile home that contains a 30-foot mural, entitled Fragile Silence, done by Banksy a decade prior to his rise to fame. According to Nathan Wellard, Banksy had asked the couple if he could use the side of their home as a "large canvas", to which they agreed. In return for the "canvas", the Bristol stencil artist gave them two free tickets to the Glastonbury Festival. The mobile home purchased by the couple 11 years ago for £1,000, is now being sold for £500,000.[57]

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In June 2006, Banksy created Well Hung Lover, an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked "a heated debate",[168] with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[169] After an internet discussion in which 97% of the 500 people surveyed supported the stencil, the city council decided it would be left on the building.[168] The mural was later defaced with blue paint.[170]
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Late that year, a tall, bearded figure in a dark overcoat, scarf and floppy hat strolled into Tate Britain clutching a large paper bag. He made his way to Room 7 on the second level. He then dug out his own picture, an unsigned oil painting of a rural scene he had found in a London street market. Across the canvas, which he had titled Crimewatch UK Has Ruined the Countryside for All of Us, he had stenciled blue-and-white police crime-scene tape.

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The Westminster City Council stated in October 2008 that the work would be painted over, regardless of the celebrity status of the artist, as it was illegal graffiti. The council stated that Banksy "has no more right to paint graffiti than a child." Robert Davis, the chairman of the council planning committee told The Times, "If we condone this then we might as well say that any kid with a spray can is producing art." The work was eventually painted over in April 2009.
In August/September 2006, Banksy placed up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why Am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Hilton digitally altered to appear topless. Other pictures feature her with her chihuahua Tinkerbell's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up."[171][172][173]
The Thekla boat in Bristol was originally tagged by Banksy in 2003. The moored nightclub boat’s owners posted an image of the “tag” on their website and asked their customers whether it should stay. The response was to keep it, but Bristol City Council later ordered its removal. Years after its removal, Banksy returned and re-painted the Grim Reaper in the same spot where it remains to this day. Grim Reaper (Thekla) location
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By 2008, despite the global financial crash, a Banksy 'vandalised' version of a Damien Hirst painting sold for over $1.8m. High profile art collectors and celebrities spend thousands to own a Banksy. Among the rich and famous, designer Paul Smith, Brad Pitt and Angelina Jolie are known to be Banksy collectors. After claims that his success meant that he had sold out, Banksy said: “I love the way capitalism finds a place – even for its enemies. It’s boom time in the discontent industry.”
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Graffiti Is a Crime is the first of Banksy’s pieces from his month long ‘residency’ in New York City in October 2013. The piece incorporates his distinctive stencil technique and pokes fun at the law by incorporating an anti-graffiti sign. However, within hours of it being posted on Banksy’s Instagram profile the sign which played an integral part of the piece had been stolen and by the next day city officials had painted over the work. The piece was located in the city’s Allen Street. Graffiti is a Crime location 

Use a pencil to mark the designated hanging spot for your framed wall decor. Use a level when installing hardware to ensure your art will hang straight. The center of the print should be about 60 inches off the floor. Allow for 6 to 8 inches of space between the bottom of the frame and the top of any furniture beneath it. Hire a professional to hang heavy or hard-to-maneuver frames.
The picture of a young girl hugging a bomb to her chest was one of Banksy’s original creations back in 2003, where it was reproduced on a wall in London’s East End. The piece symbolises the horror of war next to the innocence and purity of the young girl – good and evil unified and questioned as to why we inherently indulge in war and fighting when peace can be all around us. Thought-provoking stuff.
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This Banksy work was found in Hastings and depicts a young child building sandcastles. This in itself is not controversial, but when we notice that Tesco is printed on the sandcastles it takes on a new meaning. Consumerism is a common theme in Banksy’s work and here he seems to be indicating that the supermarket giant is taking over the country! The artwork is still visible on the Sea wall although it has been defaced by other graffitti artists. Approximate location of Tesco Sandcastle.
With site-specific works like Hammer Boy, Banksy and other street artists encourage viewers to envision urban spaces, surfaces, and objects differently, and to see fun and whimsy in otherwise mundane spaces. In this way, street artists have much the same mentality as skateboarders or people who practice parkour. For all of these groups, city spaces and surfaces are not restricted to their prescribed uses. Instead, participants feel the freedom to co-opt and repurpose the urban environment. A fire hydrant is not just for holding water, it can also become a child's plaything. A handrail is not only for holding and supporting oneself, it can also become a tool for enacting daring acrobatic feats.
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In March 2010, the work Forgive Us Our Trespassing was displayed at the London Bridge in conjunction with Art Below an arts company that put on art shows on the London Underground. The work was censored by the Transport for London (TfL), forbidding display of the work with its halo, because of the prevalence of graffiti in the underground.[87] It was displayed without the halo over the boy's head, but after a few days the halo was repainted by a graffitist, so the TfL disposed of the poster. This decline went through the press and several articles were published remarking on the progress of the poster.[87][88]
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This particular Banksy lasted only 4 months from May 2008 to August 2008. It was created in Leake Street Tunnel (also known as Banksy Tunnel) a designated graffiti area. It was soon covered with other works, such is the ever changing nature of the tunnel. It is an ironic piece that showed ancient cave paintings being cleaned by a council worker, highlighting how art is often destroyed by those who don’t understand it. Is Banksy referencing the destruction of his own work?
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In May 2011 Banksy released a lithographic print which showed a smoking petrol bomb contained in a 'Tesco Value' bottle. This followed a long running campaign by locals against the opening of a Tesco Express supermarket in Banksy's home city of Bristol. Violent clashes had taken place between police and demonstrators in the Stokes Croft area. Banksy produced the poster ostensibly to raise money for local groups in the Stokes Croft area and to raise money for the legal defence of those arrested during the riots. The posters were sold exclusively at the Bristol Anarchists Bookfair in Stokes Croft for £5 each.
Choosing a tag or graffiti name was common in this subculture to brand work and to avoid arrest. This is the name that he has stuck with since. The Bristol street artists adopted graffiti-style pseudonyms and painted in collaborative groups or ‘crews’. His earliest influence was musician and graffiti writer 3D, one of the pioneers who brought free-hand, spraycan-style graffiti writing to the UK from the New York subways.
Mobile Phone Lovers caused a stir when it appeared close to a boys club in Banksy’s home town of Bristol. The owner of the club removed the door with the intention of using it to raise funds for his club, but it was taken from him by the local council who claimed ownership. However the issue was resolved when Banksy himself sent a letter to the club seeming to condone his choice to use it as a fundraiser. Mobile Phone Lovers location
Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in the stencils, though it is assumed he uses computers for some images due to the photographic quality of much of his work. He mentions in his book Wall and Piece that as he was starting to do graffiti, he was always either caught or could never finish the art in one sitting. He claims he changed to stencilling while hiding from the police under a rubbish lorry, when he noticed the stencilled serial number. He then devised a series of intricate stencils to minimise time and overlapping of the colour.
Banksy’s Better Out Than In pieces in New York have met with some differing opinions. Many New Yorkers love them while others deem them acts of vandalism. However, with Ghetto for Life which appeared in the Bronx, the majority of residents found the work to be offensive saying that it helps to perpetuate stereotypes. It seems many have focused on the words and not the artwork which depicts a little boy spraying the words and being waited on by a butler. Banksy seems to be saying that the ‘ghetto’ image is just that – an image used for style purposes. That didn’t stop people flocking to see it and the building’s owner employed guards to protect it! Ghetto for Life location.
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Possibly one of the most recognisable Banksy artworks, Sweep it Under the Carpet appeared on a wall on Chalk Farm Road, North London in around 2006. It shows a woman dressed as a maid who is sweeping dirt under the cover of a brick wall. The piece is said to represent the reluctance of the western world to deal with global issues such as the AIDS epidemic, amongst others. Sweep it Under the Carpet – approx location
In 2003, at an exhibition called Turf War, held in a London warehouse, Banksy painted on animals. At the time he gave one of his very few interviews, to the BBC's Nigel Wrench.[41] Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[42] An example of his subverted paintings is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[43]
Stop The Press! Graffiti artist Banksy has opened a brand new hotel, which is located four meters from the controversial wall built by Israel in 2002. Sitting in the West Bank, The Walled Off Hotel is surrounded by the wall and features a number of brand new political pieces and boasts "The world worst view." The project has taken over two years to complete and it is hoped to teach people about Palestine. Get your Banksy Israeli & Palestinian Pillow Fight Canvas Print & Poster Now!
The woman who won the bidding at the auction decided to go through with the purchase. The partially shredded work has been given a new title, Love is in the Bin, and it was authenticated by Banksy's authentication body Pest Control. Sotheby released a statement that said "Banksy didn't destroy an artwork in the auction, he created one," and called it "the first artwork in history to have been created live during an auction."[146][147]

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