The Borderline Mural Project covers a 200 foot long wall in the tunnels under the campus of MIT with murals and magic. The tunnel is a commonly used route between MIT Buildings 66 and E17 during bad weather. A useful connection between point A to point B,  Borderline aims to make the tunnels a destination. The magic comes in the form of augmented reality: viewers can use the Artvive mobile phone app to experience an extension of the imagery.
To showcase Sanford's rich and interesting history, the City of Sanford's Appearance Commission has guided the creation of several historical murals in downtown Sanford and Jonesboro. The added bonus of the mural program is that they unlock Sanford's history for newcomers and youth, alike. The vibrant scenes create a pride in our community that gives everyone a sense a belonging.
Dismaland was a temporary art project organised by street artist Banksy, constructed in the seaside resort town of Weston-super-Mare in Somerset, England.[1] Prepared in secret, the pop-up exhibition at the Tropicana, a disused lido, was "a sinister twist on Disneyland" that opened during the weekend of 21 August 2015[2] and closed permanently on 27 September 2015, 36 days later. Banksy described it as a "family theme park unsuitable for children."[3]
Many rural towns have begun using murals to create tourist attractions in order to boost economic income. Colquitt, Georgia, is one such town. Colquitt was chosen to host the 2010 Global Mural Conference. The town has more than twelve murals completed, and will host the Conference along with Dothan, Alabama, and Blakely, Georgia. In the summer of 2010, Colquitt will begin work on their Icon Mural.
L'encadrement permet lui de magnifier chaque œuvre, en permettant de la mettre en valeur spécifiquement en fonction du sujet, des couleurs et des ambiances qu'elle comporte. C'est pourquoi nous sommes fiers de proposer un service d'encadrement d'une qualité en ligne avec celle des tirages originaux. Nous vous invitons à découvrir les différentes possibilités d'encadrements sur la page Encadrements.
Pour ces tableaux photos utilisables en extérieur, la toile canvas est substituée par une bâche PVC 500 gr/m² satinée imprimée avec des encres latex et pouvant résister jusqu’à 3 ans extérieur. Cette version se destine aux tableaux et panneaux devant être exposés en extérieur et peut également être utilisée pour tout autre projet d’affichage “outdoor” (expo photo, panneaux publicitaires ou informatifs, panneaux de chantier, signalisation, enseigne etc.).
The chapel was later extended to join the tower, making what is now the church of St-Jean-Baptiste, but the tower was only converted to a belfry after the sea retired, leaving it 1.5 kilometres inland. It is for this reason that the present division between the original village and the sea-front area exists.[9] As a result, boats were then designed with flat bottoms so that they could be drawn up on the beach and a cart was driven out to them in order to bring in the catch (see Eugène Boudin's painting below).
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The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote "If it's better next time I'll leave it" in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone – rest in peace.[60]
Following in their footsteps came the sons of local families who, until about 1914, constituted what has been called 'the Berck School'.[30] These included Francis Tattegrain, who was encouraged to take up art by Lepic;[31] Jan Lavezzari, son of the town architect who was also a friend of Lepic;[17] Charles Roussel (1861–1936), who settled in the town in 1886;[32] and Eugène Trigoulet (1864–1910).[33] After World War I the town and its inhabitants continued to be represented artistically by Roussel and by Louis Montaigu (1905–1988).[34] Fishermen in interiors were a speciality of the latter.[35]
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