Northern Ireland contains some of the most famous political murals in the world.[12] Almost 2,000 murals have been documented in Northern Ireland since the 1970s.[13] In recent times, many murals are non-sectarian, concerning political and social issues such as racism and environmentalism, and many are completely apolitical, depicting children at play and scenes from everyday life. (See Northern Irish murals.)
Sanford Spinners – This mural honors all the athletes who played for the Sanford Spinners baseball team in the Tobacco State League during the late 1940s. The Spinners played at Temple Park, located at the corner of McIver and Seventh streets. The field and grandstand (which no longer exists) were built by the WPA. The mural was inspired by Howard Auman, who pitched the Spinners to its first league championship in 1946.
The church of Saint Jean Baptiste was restored in 1954 and the 15th century carvings on its corbels were then highlighted in paint. The choir and belfry are now listed monuments.[13] The new church of Notre-Dame des Sables was opened in 1886 on the marketplace of the beach quarter. Its seating for 1,500 was to cater principally for holiday makers in season and the patients from the many medical establishments profiting from the sea air. There are paintings on the choir walls.[14]
Presque inutile de mentionner que la déco murale métal à effet vieilli se marie aisément aux intérieurs de style vintage. Mais que faire quand le nôtre n’a rien à faire avec ce style et est plutôt contemporain, voire minimaliste ? Comme vous pouvez le constater par vous-mêmes en jetant un coup d’œil rapide sur la photo ci-dessus, les grands panneaux en métal ajouré couverts de vert-de-gris ont l’air davantage attrayant quand on les place sur un fond blanc immaculé assez moderne. Notez également qu’ils ont adopté la forme créative d’échelles Monoyer, autrement dit les tableaux de lettres que les ophtalmologues utilisent pour vous tester la vision !
Banksy once characterised graffiti as a form of underclass "revenge", or guerilla warfare that allows an individual to snatch away power, territory and glory from a bigger and better equipped enemy.[45] Banksy sees a social class component to this struggle, remarking "If you don't own a train company then you go and paint on one instead."[45] Banksy's work has also shown a desire to mock centralised power, hoping that their work will show the public that although power does exist and works against you, that power is not terribly efficient and it can and should be deceived.[45]

In March 2010, the work Forgive Us Our Trespassing was displayed at the London Bridge in conjunction with Art Below an arts company that put on art shows on the London Underground. The work was censored by the Transport for London (TfL), forbidding display of the work with its halo, because of the prevalence of graffiti in the underground.[87] It was displayed without the halo over the boy's head, but after a few days the halo was repainted by a graffitist, so the TfL disposed of the poster. This decline went through the press and several articles were published remarking on the progress of the poster.[87][88]
Et maintenant, donnons un peu d’amour aux papiers peints. Avant de vous faire de fausses idées, nous ne parlons pas du papier peint de votre grand-mère! Les papiers peints d'aujourd'hui sont à la fois modernes et chics, et vraiment tendance en déco intérieure. Nous offrons une large gamme de motifs contemporains dans des nuances sophistiquées ou neutres qui rehausseront en moins de deux l'apparence de votre espace, sans trop le charger. Des motifs géométriques aux imprimés inspirés par la nature, il y a un revêtement mural facile à installer, parfait pour votre décor.
Many works that make up the Better Out Than In series in New York City have been defaced, some just hours after the piece was unveiled.[185][186] At least one defacement was identified as done by a competing artist, OMAR NYC, who spray-painted over Banksy's red mylar balloon piece in Red Hook.[187] OMAR NYC also defaced some of Banksy's work in May 2010.[188][189]
In London, over the weekend 3–5 May 2008, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it did not cover anyone else's.[75] Banksy invited artists from around the world to exhibit their works.[76]
Tout en participant au développement de la création artistique contemporaine (encouragée par les mesures fiscales françaises), vous avez la possibilité d’investir dans une réelle valeur refuge. Aujourd’hui la défiscalisation permet aux professions libérales et aux entreprises de se constituer un patrimoine artistique tout en réduisant leurs impôts.
Après l'impression, la toile était plongée dans un bain de bouse de vache afin d'éliminer l'excès d'épaississant, puis lavée. Les toiles passaient ensuite dans un bain de teinture - racine de garance - qui révélait les couleurs sur les parties de toile empreintes de mordants. Par garançage on obtient une gamme de couleurs du rouge foncé au rose tendre, du noir au lilas, violet, bistre. Le fond de la toile devenu rosâtre, celle-ci devait être exposée sur les prés pour blanchir. Le jaune et le bleu étaient imprimés directement sur la toile. Le vert était obtenu par superposition de bleu et de jaune jusqu'en 1808 date à laquelle Samuel Widmer, neveu d'Oberkampf, découvrit le " vert solide " bon teint en une seule application.
In April 2007, Transport for London painted over Banksy's image of a scene from Quentin Tarantino's film Pulp Fiction (1994), featuring Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the graffiti created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[58] Banksy painted the same site again and, initially, the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Some time later, Banksy made a tribute artwork over this second Pulp Fiction work. The tribute was for 19-year-old British graffiti artist Ozone who, along with fellow artist Wants, was hit by an underground train in Barking, east London on 12 January 2007.[59] Banksy depicted an angel wearing a bullet-proof vest holding a skull. They also wrote a note on their website saying:
Une fois que vous avez choisi l’œuvre à reproduire et décidé le format, vous pouvez combiner votre toile avec un cadre de haute qualité. Sur notre site, vous trouverez plus de 200 modèles de cadres pour vos tableaux: caisses américaines modernes, cadre nobles baroques et même des cadres dorés à la main, peints uniquement après avoir été composés. Cela empêche la coupe oblique d'être visible.
×