Banksy once characterised graffiti as a form of underclass "revenge", or guerilla warfare that allows an individual to snatch away power, territory and glory from a bigger and better equipped enemy.[45] Banksy sees a social class component to this struggle, remarking "If you don't own a train company then you go and paint on one instead."[45] Banksy's work has also shown a desire to mock centralised power, hoping that their work will show the public that although power does exist and works against you, that power is not terribly efficient and it can and should be deceived.[45]
In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this—Society!" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[69]
Many works that make up the Better Out Than In series in New York City have been defaced, some just hours after the piece was unveiled.[185][186] At least one defacement was identified as done by a competing artist, OMAR NYC, who spray-painted over Banksy's red mylar balloon piece in Red Hook.[187] OMAR NYC also defaced some of Banksy's work in May 2010.[188][189]

To showcase Sanford's rich and interesting history, the City of Sanford's Appearance Commission has guided the creation of several historical murals in downtown Sanford and Jonesboro. The added bonus of the mural program is that they unlock Sanford's history for newcomers and youth, alike. The vibrant scenes create a pride in our community that gives everyone a sense a belonging.
Banksy started as a freehand graffiti artist in 1990–1994[30] as one of Bristol's DryBreadZ Crew (DBZ), with two other artists known as Kato and Tes.[31] He was inspired by local artists and his work was part of the larger Bristol underground scene with Nick Walker, Inkie and 3D.[32][33] During this time he met Bristol photographer Steve Lazarides, who began selling Banksy's work, later becoming his agent.[34] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a work. He claims he changed to stencilling while hiding from the police under a rubbish lorry, when he noticed the stencilled serial number[35] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[35] He was the goalkeeper for the Easton Cowboys and Cowgirls football team in the 1990s, and toured with the club to Mexico in 2001.[36] Banksy's first known large wall mural was The Mild Mild West painted in 1997 to cover advertising of a former solicitors' office on Stokes Croft in Bristol. It depicts a teddy bear lobbing a Molotov cocktail at three riot police.[37]
Les toiles photo Pixum sont montées à la main sur un cadre en bois, ce qui rend la fixation des toiles photo très simple. Il vous suffit de déposer le cadre de la toile sur deux vis préalablement attachées au mur. Assurez-vous que les vis soient solidement attachées et qu'elles dépassent suffisamment du mur, afin que le cadre repose sur une longueur de vis suffisante.
Baru retorted by countering the Minister of State in a manner that showed he had little or no regards for the man who handed over to him as GMD. It took the intervention of the President to nip the festering rumpus in the bud. With this new development, it is clear that the presidential truce brokered between the two was just for the camera as both of them are yet to sheathe their daggers but only waiting for the slightest opportunity to drive it into each other’s heart.  (The Capital)
In April 2007, Transport for London painted over Banksy's image of a scene from Quentin Tarantino's film Pulp Fiction (1994), featuring Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the graffiti created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[58] Banksy painted the same site again and, initially, the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Some time later, Banksy made a tribute artwork over this second Pulp Fiction work. The tribute was for 19-year-old British graffiti artist Ozone who, along with fellow artist Wants, was hit by an underground train in Barking, east London on 12 January 2007.[59] Banksy depicted an angel wearing a bullet-proof vest holding a skull. They also wrote a note on their website saying:
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