L'encadrement permet lui de magnifier chaque œuvre, en permettant de la mettre en valeur spécifiquement en fonction du sujet, des couleurs et des ambiances qu'elle comporte. C'est pourquoi nous sommes fiers de proposer un service d'encadrement d'une qualité en ligne avec celle des tirages originaux. Nous vous invitons à découvrir les différentes possibilités d'encadrements sur la page Encadrements.

Entièrement réalisées à la main, ces têtes d’animaux design en passant par des cartes du monde en décoration mural métal moderne, vous emmènent dans des univers différents au style bien particulier. Nous proposons aussi des citations en déco mur métal sur les thèmes de l’amour, la vie, la famille… Mais aussi des phrases chocs et originales pour donner du peps à votre intérieur ! Fort de notre savoir-faire, toutes nos décorations murales métal sont d’une qualité supérieure afin d’augmenter la durée de vie de nos produits dans le temps. 


As one Twitter user noted, another work that had a bit more to say about the concept of destruction was artist Chris Burden’s 1988 exhibition of Samson, which consisted of a 100-ton jack pressed against supporting walls at the Newport Harbor Art Museum and tied to a turnstile such that (in theory, if not in practice) if enough visitors attended the building would collapse. Fire officials later had the piece removed as a safety hazard.
As one Twitter user noted, another work that had a bit more to say about the concept of destruction was artist Chris Burden’s 1988 exhibition of Samson, which consisted of a 100-ton jack pressed against supporting walls at the Newport Harbor Art Museum and tied to a turnstile such that (in theory, if not in practice) if enough visitors attended the building would collapse. Fire officials later had the piece removed as a safety hazard.
As one Twitter user noted, another work that had a bit more to say about the concept of destruction was artist Chris Burden’s 1988 exhibition of Samson, which consisted of a 100-ton jack pressed against supporting walls at the Newport Harbor Art Museum and tied to a turnstile such that (in theory, if not in practice) if enough visitors attended the building would collapse. Fire officials later had the piece removed as a safety hazard.
Les murs blancs témoignent souvent d’un projet de design inachevé. Même si vous êtes du type minimaliste, vous avez besoin de quelque chose sur vos murs pour exprimer votre personnalité. Le décor mural sert de toile de fond à vos meubles, définit votre caractère unique et donne le ton à votre maison plus que vous ne le pensez. Magasinez notre sélection de miroirs, d'arts muraux et de papiers peints pour dénicher la touche finale qui mettra vos murs en valeur.
In June 2016, a 14 ft painting of a child with a stick chasing a burning tyre was found in the Bridge Farm Primary School in Bristol with a letter from Banksy thanking the school for naming one of its houses after him. BBC News reported that a spokesman for Banksy confirmed that the artwork was genuine. In the letter, Banksy wrote that if the members of the school did not like the painting, they should add their own elements.[181][182]
In April 2007, Transport for London painted over Banksy's image of a scene from Quentin Tarantino's film Pulp Fiction (1994), featuring Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the graffiti created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[58] Banksy painted the same site again and, initially, the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Some time later, Banksy made a tribute artwork over this second Pulp Fiction work. The tribute was for 19-year-old British graffiti artist Ozone who, along with fellow artist Wants, was hit by an underground train in Barking, east London on 12 January 2007.[59] Banksy depicted an angel wearing a bullet-proof vest holding a skull. They also wrote a note on their website saying:
Banky W: I think as an artist you evolve throughout the years and are not doing the same thing over and over again. I think with evolution and trying to evolve you just try to retain your core and remain true to yourself and I hopefully think that's what I've tried to do. I like to see myself as someone who has evolved and grown but is still true to who he is.
It is also common for mural graffiti be used as a memoir. In the book "Somebody Told Me," Rick Bragg writes about a series of communities, mainly located in New York, that have walls dedicated to the people who died.[15] These memorials, both written word and mural style, provide the deceased to be present in the communities in which they lived. Bragg states that the "murals have woven themselves in the fabric of the neighborhoods, and the city." These memorials remind people of the deaths caused by inner city violence.

In May, to coincide with the premiere of Exit Through the Gift Shop in Royal Oak, Banksy visited the Detroit area and left his mark in several places in Detroit and Warren.[93] Shortly after, his work depicting a little boy holding a can of red paint next to the words "I remember when all this was trees" was excavated by the 555 Nonprofit Gallery and Studios. They claim that they do not intend to sell the work but plan to preserve it and display it at their Detroit gallery.[94] There was also an attempted removal of one of the Warren works known as Diamond Girl.[95]
Pour une bonne correspondance entre votre écran et les tirages que vous recevrez, Il est indispensable d’intégrer votre espace couleur de travail dans vos images: Lors de l’enregistrement de votre fichier, vérifiez que la case «profil ICC» est bien cochée. Sans espace couleur associé à votre image il m’est impossible de savoir dans  quel espace colorimétrique vous avez travaillé vos images.
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