The old town was formerly a fishing harbour which in 1301 was recorded to have 150 homesteads with 800 inhabitants. A mediaeval wooden lighthouse, known locally as a foïer, was built on a dune and lit by charcoal and faggots but this burned down several times. On one occasion at least it was as a result of the continuous conflict between the English and the French in the Hundred Years War. The chronicler Enguerrand de Monstrelet mentions that during 1414 the English garrison in Calais raided south and burned the town. Eventually the lighthouse was replaced by a stone tower at the side of which a chapel was built in the 15th century, but this did not save it from further mishap. During the second siege of Montreuil in 1544, the English advanced from the south and burned 200 houses, the church and the mill as they passed through Berck. What was left of the place was then burned by the French on their way to relieve the siege.
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Painters joined the 19th century Parisian visitors to the town and passed on news of their discovery to fellow artists in the capital. One of the most notable was Édouard Manet, who passed a summer there with his family in 1873. Among the twenty paintings he made were depictions of boats at sea and the beachscape now in the Musée d'Orsay. Eugène Boudin first visited in 1874 and over the next twenty years made Berck the subject of some 120 paintings. He was followed in 1876 by Ludovic-Napoléon Lepic, who was so taken with the place that he set up a studio there and until 1885 devoted some six months of the year to recording the area and the fisherman's life.
In spring 2019, students from The MIT Borderline Mural Project participated in the painting and augmented reality development for a mural in the Suffolk County South Bay House of Corrections. The project is a collaboration between The Suffolk County Sheriff’s Department and several groups at MIT, including Music and Theater Arts, The Educational Justice Institute (TEJI), and Arts at MIT. Funding for was provided by the MIT Office of the Vice Chancellor and The Council for the Arts at MIT. Pioneered and produced by Co-director of TEJI Carole Cafferty, SCSD Teaching Artist Peggy Rambach and SCSD Director of Women’s Programming Christina Ruccio, the project was also made possible through the leadership of Suffolk County Sheriff Steven W. Tompkins and Superintendent Yolanda Smith. The January IAP painting workshop was directed and taught by Sara Brown, Senior Lecturer with MIT Music and Theater Arts. Organization and student engagement were conducted by Sam Magee, Manager of Student Programs for the Arts at MIT.
The Mexican mural movement in the 1930s brought a new prominence to murals as a social and political tool. Diego Rivera, José Orozco and David Siqueiros were the most famous artists of the movement. Between 1932 and 1940, Rivera also painted murals in San Francisco, Detroit, and New York City. In 1933, he completed a famous series of twenty-seven fresco panels entitled Detroit Industry on the walls of an inner court at the Detroit Institute of Arts. During the McCarthyism of the 1950s, a large sign was placed in the courtyard defending the artistic merit of the murals while attacking his politics as "detestable."
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The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street artworks around Park City and Salt Lake City to tie in with the screening. In February, The Whitehouse public house in Liverpool, England, was sold for £114,000 at auction. The side of the building has an image of a giant rat by Banksy.
Among the structures photographed prior to the opening were a large pinwheel by Banksy, Horse Scaffolding Sculpture by Ben Long, and a twisted truck sculpture, Big Rig Jig by artist Mike Ross which was previously shown at Burning Man in 2007. Works by 58 artists, including Jenny Holzer, Damien Hirst, Jeff Gillette, Jimmy Cauty and Bill Barminski were featured in the park. Banksy said he contacted the "best artists I could imagine" to exhibit, with two artists turning him down.