^ Child, Andrew (28 January 2011). "Urban Renewal: Steve Lazarides continues to expand his street art empire". Financial Times. London. Archived from the original on 28 March 2014. Retrieved 4 November 2013. He had discovered Banksy on a chance photo shoot in Bristol in 2001 while working as picture editor of Sleaze Nation magazine, and brought him to public attention along with a roster of other urban artists... Lazarides and Banksy parted company in 2009, a mysterious split about which both parties have remained tight-lipped.

In spring 2019, students from The MIT Borderline Mural Project participated in the painting and augmented reality development for a mural in the Suffolk County South Bay House of Corrections. The project is a collaboration between The Suffolk County Sheriff’s Department and several groups at MIT, including Music and Theater Arts, The Educational Justice Institute (TEJI), and Arts at MIT. Funding for was provided by the MIT Office of the Vice Chancellor and The Council for the Arts at MIT. Pioneered and produced by Co-director of TEJI Carole Cafferty, SCSD Teaching Artist Peggy Rambach and SCSD Director of Women’s Programming Christina Ruccio, the project was also made possible through the leadership of Suffolk County Sheriff Steven W. Tompkins and Superintendent Yolanda Smith. The January IAP painting workshop was directed and taught by Sara Brown, Senior Lecturer with MIT Music and Theater Arts. Organization and student engagement were conducted by Sam Magee, Manager of Student Programs for the Arts at MIT.
^ Child, Andrew (28 January 2011). "Urban Renewal: Steve Lazarides continues to expand his street art empire". Financial Times. London. Archived from the original on 28 March 2014. Retrieved 4 November 2013. He had discovered Banksy on a chance photo shoot in Bristol in 2001 while working as picture editor of Sleaze Nation magazine, and brought him to public attention along with a roster of other urban artists... Lazarides and Banksy parted company in 2009, a mysterious split about which both parties have remained tight-lipped.
Banksy once characterised graffiti as a form of underclass "revenge", or guerilla warfare that allows an individual to snatch away power, territory and glory from a bigger and better equipped enemy.[45] Banksy sees a social class component to this struggle, remarking "If you don't own a train company then you go and paint on one instead."[45] Banksy's work has also shown a desire to mock centralised power, hoping that their work will show the public that although power does exist and works against you, that power is not terribly efficient and it can and should be deceived.[45]
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“Banksy is unique to the art world. No other artist captures the hearts and minds of the public like he does,” Syer said. “What this person today seems to have done is needlessly ruin a print worth around £40,000 and reduce its value to almost nothing…[there] are limited numbers of Girl With Balloon prints in the world, today, we lost one and it's a crying shame.”
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Murals of sorts date to Upper Paleolithic times such as the cave paintings in the Lubang Jeriji Saléh cave in Borneo (40,000-52,000 BP), Chauvet Cave in Ardèche department of southern France (around 32,000 BP). Many ancient murals have been found within ancient Egyptian tombs (around 3150 BC),[2] the Minoan palaces (Middle period III of the Neopalatial period, 1700–1600 BC), the Oxtotitlán cave and Juxtlahuaca in Mexico (around 1200-900 BC) and in Pompeii (around 100 BC – AD 79).
The inhabitants are called Berckois. Over the past two centuries there has been a steady growth in the population of the town, which in the 1793 census was 983, only a little more than the 800 recorded in 1301. In 1851 this had doubled to 2,216 and after the commercial development during the second half of that century had climbed to 7,799 by 1901. It more than doubled again by 1936 (16,700) but fell to 11,529 by 1946 and as of 2009 stands at 15,565.[25]
Banksy was also credited with the opening couch gag for the 2010 The Simpsons episode "MoneyBart", depicting people working in deplorable conditions and using endangered or mythical animals to make both the episodes cel-by-cel and the merchandise connected with the program.[99] His name appears several times throughout the episode's opening sequence, spray-painted on assorted walls and signs. Fox sanitised parts of the opening "for taste" and to make it less grim. In January 2011, Banksy published the original storyboard on its website.[100] According to Banksy, the storyboard "led to delays, disputes over broadcast standards and a threatened walk out by the animation department." Executive director Al Jean jokingly said, "This is what you get when you outsource."[99]

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