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“We are expecting great interest from the public, especially young people and Banksy fans,” Museum Frieder Burda director Henning Schaper said in the statement. “At the same time, we have to resist the temptation to display the picture like a trophy. That would definitely not be what the artist had in mind. Instead, we are trying to adhere to his approach of consistently democratizing art and we are currently discussing how to make the picture accessible to as many people as possible.”
In spring 2019, students from The MIT Borderline Mural Project participated in the painting and augmented reality development for a mural in the Suffolk County South Bay House of Corrections. The project is a collaboration between The Suffolk County Sheriff’s Department and several groups at MIT, including Music and Theater Arts, The Educational Justice Institute (TEJI), and Arts at MIT. Funding for was provided by the MIT Office of the Vice Chancellor and The Council for the Arts at MIT. Pioneered and produced by Co-director of TEJI Carole Cafferty, SCSD Teaching Artist Peggy Rambach and SCSD Director of Women’s Programming Christina Ruccio, the project was also made possible through the leadership of Suffolk County Sheriff Steven W. Tompkins and Superintendent Yolanda Smith. The January IAP painting workshop was directed and taught by Sara Brown, Senior Lecturer with MIT Music and Theater Arts. Organization and student engagement were conducted by Sam Magee, Manager of Student Programs for the Arts at MIT.
It was reported that then-New York City Mayor Michael Bloomberg called Banksy a vandal whose work is not the definition of art, and that the NYPD's vandal squad was on the hunt for Banksy over his various graffiti art and installations. One creation was a fiberglass sculpture of Ronald McDonald and a real person, barefoot and in ragged clothes, shining the oversized shoes of Ronald McDonald. The sculpture was unveiled in Queens but moved outside a different McDonald's around the city every day. Other works included a YouTube video showing what appears to be footage of jihadist militants shooting down an animated Dumbo; travelling installations that toured the city including a slaughterhouse delivery truck full of stuffed animals and a waterfall; and a modified painting donated to a charity shop which was later sold in an online auction for $615,000. Banksy also posted a mock-up of a New York Times op-ed attacking the design of the One World Trade Center after the Times rejected his submission. The residency in New York concluded on 31 October 2013; many of the pieces, though, were either vandalised, removed or stolen.
Dismaland was a temporary art project organised by street artist Banksy, constructed in the seaside resort town of Weston-super-Mare in Somerset, England. Prepared in secret, the pop-up exhibition at the Tropicana, a disused lido, was "a sinister twist on Disneyland" that opened during the weekend of 21 August 2015 and closed permanently on 27 September 2015, 36 days later. Banksy described it as a "family theme park unsuitable for children."
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The Westminster City Council stated in October 2008 that the work One Nation Under CCTV, painted in April 2008 would be painted over as it was graffiti. The council said it would remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art." The work was painted over in April 2009. In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne, Australia, was destroyed. The image had been protected by a sheet of clear perspex; however, silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely obliterated.
In May, to coincide with the premiere of Exit Through the Gift Shop in Royal Oak, Banksy visited the Detroit area and left his mark in several places in Detroit and Warren. Shortly after, his work depicting a little boy holding a can of red paint next to the words "I remember when all this was trees" was excavated by the 555 Nonprofit Gallery and Studios. They claim that they do not intend to sell the work but plan to preserve it and display it at their Detroit gallery. There was also an attempted removal of one of the Warren works known as Diamond Girl.
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