Visionary Builders – A tribute to Sanford’s early African American leaders, this mural features W.B. Wicker and Link Boykin. Wicker (left) was a beloved educator who served as the first principal of the South Sanford Graded School. Boykin (right) was a prominent builder and business owner in the 1900s. He is responsible for many of Sanford’s historic buildings and homes.
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“We are expecting great interest from the public, especially young people and Banksy fans,” Museum Frieder Burda director Henning Schaper said in the statement. “At the same time, we have to resist the temptation to display the picture like a trophy. That would definitely not be what the artist had in mind. Instead, we are trying to adhere to his approach of consistently democratizing art and we are currently discussing how to make the picture accessible to as many people as possible.”
The artist’s initial mural was a portrait of a woman painted on a friend’s chimney. The piece went viral, and Grammer—who is a Disney artist now living in Los Angeles—knew that more mural art was in order. “I’ve always had this deep heart to bring hope and joy through my art with deep and destructive issues,” he explained to news channel KRCR. “When the first mural on Clark Road moved so many people in this community emotionally I knew I had to come back up.”
The church of Saint Jean Baptiste was restored in 1954 and the 15th century carvings on its corbels were then highlighted in paint. The choir and belfry are now listed monuments.[13] The new church of Notre-Dame des Sables was opened in 1886 on the marketplace of the beach quarter. Its seating for 1,500 was to cater principally for holiday makers in season and the patients from the many medical establishments profiting from the sea air. There are paintings on the choir walls.[14]
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The woman who won the bidding at the auction decided to go through with the purchase. The partially shredded work has been given a new title, Love is in the Bin, and it was authenticated by Banksy's authentication body Pest Control. Sotheby released a statement that said "Banksy didn't destroy an artwork in the auction, he created one," and called it "the first artwork in history to have been created live during an auction."[146][147]
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The Borderline Mural Project covers a 200 foot long wall in the tunnels under the campus of MIT with murals and magic. The tunnel is a commonly used route between MIT Buildings 66 and E17 during bad weather. A useful connection between point A to point B,  Borderline aims to make the tunnels a destination. The magic comes in the form of augmented reality: viewers can use the Artvive mobile phone app to experience an extension of the imagery.

Many unknown and known artists such as Thierry Noir and Keith Haring painted on the Wall, the "World's longest canvas". The sometimes detailed artwork were often painted over within hours or days. On the Western side the Wall was not protected, so everybody could paint on the Wall. After the fall of the Berlin Wall in 1989, the Eastern side of the Wall became also a popular "canvas" for many mural and graffiti artists. Orgosolo, in Sardinia, is a most important center of murals politics.


Among minor artists who have made Berck a subject in their work are Paul Laugée (1853–1937);[37] Eugene Chigot (1860–1923),[38] who had a studio there in 1893; and Georges Maroniez,[39] a judge who painted and photographed in the area during holidays. Two others stayed in the town because of its medical facilities. Albert Besnard was there in 1895 on account of his tubercular son. As a thanks offering for his cure, Besnard and his wife Charlotte decorated the walls of the chapel in the Cazin-Perrochaud Institute between the years 1898-1901.[40] While he was there, he also executed oil paintings[41] and etchings.[42] Jean Laronze (see above) was also there in 1904 for the same reason and painted several canvases during his stay.[43]
In a statement, the German museum said the owner of the picture was convinced to lend it to the museum (“despite stiff competition from other quarters”) because of the institution’s strong track record of exhibiting urban art, including a JR exhibition in 2014. To buttress the Banksy presentation, the museum will host a talk titled, “Can the strategies of the art market be torpedoed while adding to fuel to its fire?”
Many rural towns have begun using murals to create tourist attractions in order to boost economic income. Colquitt, Georgia, is one such town. Colquitt was chosen to host the 2010 Global Mural Conference. The town has more than twelve murals completed, and will host the Conference along with Dothan, Alabama, and Blakely, Georgia. In the summer of 2010, Colquitt will begin work on their Icon Mural.
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In August/September 2006, Banksy placed up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why Am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Hilton digitally altered to appear topless. Other pictures feature her with her chihuahua Tinkerbell's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up."[171][172][173]
There exists a debate about the influence behind his work. Some critics claim Banksy was influenced by musician and graffiti artist 3D. Another source credits the artist's work to resemble that of French graffiti artist called Blek le Rat. It is said that Banksy was inspired by their use of stencils, later taking this visual style and transforming it through modern political and social pieces.[190]

After the stone tower of St John the Baptist fell into disuse as a lighthouse, it was replaced at first by a primitive oil lamp suspended in the dunes to mark the sandbars at the river mouth. Two years later a 10-metre tower was mounted above a keeper’s cottage but this became masked when the maritime hospital was built in 1861 and a new, taller tower was constructed in 1868. The two buildings, referred to locally as father and son (le père et fils), stood next to each other until they were dynamited by the Germans in 1944.[18] The current concrete lighthouse, designed by Georges Tourry, was completed in 1951 and is 45 metres high. Its light can be seen from a distance of 24 nautical miles (44 km).[19]

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Northern Ireland contains some of the most famous political murals in the world.[12] Almost 2,000 murals have been documented in Northern Ireland since the 1970s.[13] In recent times, many murals are non-sectarian, concerning political and social issues such as racism and environmentalism, and many are completely apolitical, depicting children at play and scenes from everyday life. (See Northern Irish murals.)

One of the newest projects is the creation of a virtual Porch Light mural tour to further share the murals and the stories behind them with a broader online audience. The virtual tour is a website (http://porchlightvirtualtour.org/) that provides information about each mural, its theme and artist(s). It also features an interactive map to show where in Philadelphia the murals are displayed.
Murals are important in that they bring art into the public sphere. Due to the size, cost, and work involved in creating a mural, muralists must often be commissioned by a sponsor. Often it is the local government or a business, but many murals have been paid for with grants of patronage. For artists, their work gets a wide audience who otherwise might not set foot in an art gallery. A city benefits by the beauty of a work of art.
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