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In May 2009, Banksy parted company with agent Steve Lazarides and announced that Pest Control,[77] the handling service who act on his behalf, would be the only point of sale for new works. On 13 June 2009, the Banksy vs Bristol Museum show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[78][79] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[80] Over the course of the twelve weeks, the exhibition was visited over 300,000 times.[81] In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed it to be painted, was reported to have been in tears when she saw it was being painted over.[82]
A unique community participatory art initiative is a collaboration between DBHIDS and the City of Philadelphia’s Mural Arts Program (MAP) as well as local artists, behavioral health service recipients, community members, providers, local funders and academic partners. Porch Light represents an “out-of-the-box” approach to improve community resilience and wellness, as well as an innovative way for communities to improve their understanding of behavioral health conditions.

The Yale School of Medicine conducted community-based participatory research in three Porch Light communities to assess the program’s impact on individual and community-level health outcomes. The rigorous evaluation design included a process evaluation including the careful tracking of program activities as well as a longitudinal outcome evaluation including individual interviews, qualitative case studies, community surveys, systematic observations, comparison sites, and archival data. To learn more, download the full report.


Last year saw young artists such as Mlindo The Vocalist, Muzi, Una Rams, Shekhinah, Sho Madjozi, KLY, Zoocci Coke Dope, Flame, J Molley, Rowlene and a whole lot more become household names and internet sensations. They released projects that shaped the country's musical landscape—a lot of them were on our list of 20 artists who could fuck up the game in 2018.
The artist’s initial mural was a portrait of a woman painted on a friend’s chimney. The piece went viral, and Grammer—who is a Disney artist now living in Los Angeles—knew that more mural art was in order. “I’ve always had this deep heart to bring hope and joy through my art with deep and destructive issues,” he explained to news channel KRCR. “When the first mural on Clark Road moved so many people in this community emotionally I knew I had to come back up.”
Tout en participant au développement de la création artistique contemporaine (encouragée par les mesures fiscales françaises), vous avez la possibilité d’investir dans une réelle valeur refuge. Aujourd’hui la défiscalisation permet aux professions libérales et aux entreprises de se constituer un patrimoine artistique tout en réduisant leurs impôts.
In spring 2019, students from The MIT Borderline Mural Project participated in the painting and augmented reality development for a mural in the Suffolk County South Bay House of Corrections. The project is a collaboration between The Suffolk County Sheriff’s Department and several groups at MIT, including Music and Theater Arts, The Educational Justice Institute (TEJI), and Arts at MIT. Funding for was provided by the MIT Office of the Vice Chancellor and The Council for the Arts at MIT. Pioneered and produced by Co-director of TEJI Carole Cafferty, SCSD Teaching Artist Peggy Rambach and SCSD Director of Women’s Programming Christina Ruccio, the project was also made possible through the leadership of Suffolk County Sheriff Steven W. Tompkins and Superintendent Yolanda Smith. The January IAP painting workshop was directed and taught by Sara Brown, Senior Lecturer with MIT Music and Theater Arts. Organization and student engagement were conducted by Sam Magee, Manager of Student Programs for the Arts at MIT.
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