Banksy held an exhibition called Barely Legal, billed as a "three-day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September 2006. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern, which, according to leaflets handed out at the exhibition, was intended to draw attention to the issue of world poverty. Although the Animal Services Department had issued a permit for the elephant, after complaints from animal rights activists, the elephant appeared unpainted on the final day. Its owners rejected claims of mistreatment and said that the elephant had done "many, many movies. She's used to makeup."[47] Banksy also made artwork displaying Queen Victoria as a lesbian and satirical pieces that incorporated art made by Andy Warhol and Leonardo da Vinci.[48]

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A unique community participatory art initiative is a collaboration between DBHIDS and the City of Philadelphia’s Mural Arts Program (MAP) as well as local artists, behavioral health service recipients, community members, providers, local funders and academic partners. Porch Light represents an “out-of-the-box” approach to improve community resilience and wellness, as well as an innovative way for communities to improve their understanding of behavioral health conditions.
Banksy opened Dismaland, a large scale group show modelled on Disneyland on 21 August 2015. It lampooned the many disappointing temporary themed attractions in the UK at the time. Dismaland permanently closed on 27 September 2015. The "theme park" was located in Weston-super-Mare, United Kingdom.[127][128] According to the Dismaland website, artists represented on the show include Damien Hirst and Jenny Holzer.[129]
The old town was formerly a fishing harbour which in 1301 was recorded to have 150 homesteads with 800 inhabitants. A mediaeval wooden lighthouse, known locally as a foïer, was built on a dune and lit by charcoal and faggots but this burned down several times. On one occasion at least it was as a result of the continuous conflict between the English and the French in the Hundred Years War. The chronicler Enguerrand de Monstrelet mentions that during 1414 the English garrison in Calais raided south and burned the town.[7] Eventually the lighthouse was replaced by a stone tower at the side of which a chapel was built in the 15th century, but this did not save it from further mishap. During the second siege of Montreuil in 1544, the English advanced from the south and burned 200 houses, the church and the mill as they passed through Berck. What was left of the place was then burned by the French on their way to relieve the siege.[8]

It is also common for mural graffiti be used as a memoir. In the book "Somebody Told Me," Rick Bragg writes about a series of communities, mainly located in New York, that have walls dedicated to the people who died.[15] These memorials, both written word and mural style, provide the deceased to be present in the communities in which they lived. Bragg states that the "murals have woven themselves in the fabric of the neighborhoods, and the city." These memorials remind people of the deaths caused by inner city violence.
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