L'encadrement permet lui de magnifier chaque œuvre, en permettant de la mettre en valeur spécifiquement en fonction du sujet, des couleurs et des ambiances qu'elle comporte. C'est pourquoi nous sommes fiers de proposer un service d'encadrement d'une qualité en ligne avec celle des tirages originaux. Nous vous invitons à découvrir les différentes possibilités d'encadrements sur la page Encadrements.


Une collection restreinte et inédite d’images d'art, choisie par Philip Plisson. Imprimé sur papier d’Art mat 305 gr de haute qualité, chaque tirage photo a fait l’objet d’un travail soigné de l’auteur, tiré à l’unité, vérifié et signé par le photographe, et vous sera livré avec un certificat d’authenticité, garantissant la stabilité des encres dans le temps.

Some say I am a hustler, some say I am rockstar, some say I am true talent.... With a great personality to boot! Something that all these things have in common... Is that I made an impression...  I grabbed their attention with my art, I make them  linger with my words and a kind smile, and they relate me as I  relate to them because I love what I do.


In March 2010, the work Forgive Us Our Trespassing was displayed at the London Bridge in conjunction with Art Below an arts company that put on art shows on the London Underground. The work was censored by the Transport for London (TfL), forbidding display of the work with its halo, because of the prevalence of graffiti in the underground.[87] It was displayed without the halo over the boy's head, but after a few days the halo was repainted by a graffitist, so the TfL disposed of the poster. This decline went through the press and several articles were published remarking on the progress of the poster.[87][88]
Banksy is an anonymous England-based street artist, vandal, political activist, and film director.[1] His satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world.[2] Banksy's work grew out of the Bristol underground scene, which involved collaborations between artists and musicians.[3] Banksy says that he was inspired by 3D, a graffiti artist who later became a founding member of the English musical group Massive Attack.[4]
Local residents of Weston-super-Mare were told that a Hollywood company called Atlas Entertainment was using the location to film a crime thriller called Grey Fox. Signs proclaiming "Grey Fox Productions" were posted around entrances to the site.[5][6][7] Pictures of its construction began surfacing online in early August 2015, and included a "fairy castle and massive sculptures".[8] Holly Cushing, whose name appeared in the credits of a documentary about Banksy and who is often reported to be his manager, was sighted at the construction site before the opening, which contributed to the decline of its status as "secret".[8][9]

It is also common for mural graffiti be used as a memoir. In the book "Somebody Told Me," Rick Bragg writes about a series of communities, mainly located in New York, that have walls dedicated to the people who died.[15] These memorials, both written word and mural style, provide the deceased to be present in the communities in which they lived. Bragg states that the "murals have woven themselves in the fabric of the neighborhoods, and the city." These memorials remind people of the deaths caused by inner city violence.
After the stone tower of St John the Baptist fell into disuse as a lighthouse, it was replaced at first by a primitive oil lamp suspended in the dunes to mark the sandbars at the river mouth. Two years later a 10-metre tower was mounted above a keeper’s cottage but this became masked when the maritime hospital was built in 1861 and a new, taller tower was constructed in 1868. The two buildings, referred to locally as father and son (le père et fils), stood next to each other until they were dynamited by the Germans in 1944.[18] The current concrete lighthouse, designed by Georges Tourry, was completed in 1951 and is 45 metres high. Its light can be seen from a distance of 24 nautical miles (44 km).[19]
Pour une bonne correspondance entre votre écran et les tirages que vous recevrez, Il est indispensable d’intégrer votre espace couleur de travail dans vos images: Lors de l’enregistrement de votre fichier, vérifiez que la case «profil ICC» est bien cochée. Sans espace couleur associé à votre image il m’est impossible de savoir dans  quel espace colorimétrique vous avez travaillé vos images.
Pour ajouter plus d’exotisme à votre espace, sans en même temps renoncer au style moderne que vous avez déjà créé, nous recommandons un autre type de cadre de miroir qui est toutefois toujours en laiton mordoré. On fait référence aux miroirs en formes géométriques inspirés par les motifs les plus utilisés des artisans de l’Orient merveilleux. Par exemple, les motifs quadrilobes marocains, les dessins ornementaux de l’art perse etc. sont parfaitement adaptés à la décoration exotique.
Vos photos s’ajustent automatiquement à la taille de votre toile. Par exemple, si vous transférez une photo carrée pour créer une toile carrée, votre image est déjà au bon format et vous n’aurez pas à la recadrer En revanche, si vous mettez une photo rectangulaire sur la même toile carrée, elle sera automatiquement coupée, mais vous pouvez l’ajuster à votre guise dans notre studio.
Cadres Concept vous propose des tableaux décoratifs originaux faits à la main, idéal pour votre décoration intérieure. Nous imaginons, dessinons, concevons nos propres collections, régulièrement renouvelées. Notre ambition a toujours été d’offrir à notre clientèle des produits originaux, fabriqués en petite quantité, de belle qualité et à des prix abordables. En cas de besoin n’hésitez pas à nous joindre par Email ou Téléphone.
Following in their footsteps came the sons of local families who, until about 1914, constituted what has been called 'the Berck School'.[30] These included Francis Tattegrain, who was encouraged to take up art by Lepic;[31] Jan Lavezzari, son of the town architect who was also a friend of Lepic;[17] Charles Roussel (1861–1936), who settled in the town in 1886;[32] and Eugène Trigoulet (1864–1910).[33] After World War I the town and its inhabitants continued to be represented artistically by Roussel and by Louis Montaigu (1905–1988).[34] Fishermen in interiors were a speciality of the latter.[35]
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