The Westminster City Council stated in October 2008 that the work One Nation Under CCTV, painted in April 2008 would be painted over as it was graffiti. The council said it would remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art."[73] The work was painted over in April 2009. In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne, Australia, was destroyed. The image had been protected by a sheet of clear perspex; however, silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely obliterated.[74]
“OTC2018 is organised to commemorate it 50th anniversary; and Baru has been slated to play active role as one of the conference speakers. Events such as OTC are not organised within days, months of preparations and huge resources go into it. The GMD got to know he would be a speaker months ago. You don’t just wake up on wrong side of the bed one day and decide to cancel a programme planned for months.
Banky W: I think as an artist you evolve throughout the years and are not doing the same thing over and over again. I think with evolution and trying to evolve you just try to retain your core and remain true to yourself and I hopefully think that's what I've tried to do. I like to see myself as someone who has evolved and grown but is still true to who he is.
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After the stone tower of St John the Baptist fell into disuse as a lighthouse, it was replaced at first by a primitive oil lamp suspended in the dunes to mark the sandbars at the river mouth. Two years later a 10-metre tower was mounted above a keeper’s cottage but this became masked when the maritime hospital was built in 1861 and a new, taller tower was constructed in 1868. The two buildings, referred to locally as father and son (le père et fils), stood next to each other until they were dynamited by the Germans in 1944.[18] The current concrete lighthouse, designed by Georges Tourry, was completed in 1951 and is 45 metres high. Its light can be seen from a distance of 24 nautical miles (44 km).[19]
Murals today are painted in a variety of ways, using oil or water-based media. The styles can vary from abstract to trompe-l'œil (a French term for "fool" or "trick the eye"). Initiated by the works of mural artists like Graham Rust or Rainer Maria Latzke in the 1980s, trompe-l'oeil painting has experienced a renaissance in private and public buildings in Europe. Today, the beauty of a wall mural has become much more widely available with a technique whereby a painting or photographic image is transferred to poster paper or canvas which is then pasted to a wall surface (see wallpaper, Frescography) to give the effect of either a hand-painted mural or realistic scene.
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In February 2015 Banksy published a 2-minute video titled Make this the year YOU discover a new destination about his trip to Gaza Strip. During the visit he painted a few artworks including a kitten on the remains of a house destroyed by an Israeli air strike. ("I wanted to highlight the destruction in Gaza by posting photos on my website—but on the internet people only look at pictures of kittens") and a swing hanging off a watchtower. In a statement to The New York Times his publicist said,


Among minor artists who have made Berck a subject in their work are Paul Laugée (1853–1937);[37] Eugene Chigot (1860–1923),[38] who had a studio there in 1893; and Georges Maroniez,[39] a judge who painted and photographed in the area during holidays. Two others stayed in the town because of its medical facilities. Albert Besnard was there in 1895 on account of his tubercular son. As a thanks offering for his cure, Besnard and his wife Charlotte decorated the walls of the chapel in the Cazin-Perrochaud Institute between the years 1898-1901.[40] While he was there, he also executed oil paintings[41] and etchings.[42] Jean Laronze (see above) was also there in 1904 for the same reason and painted several canvases during his stay.[43]
In London, over the weekend 3–5 May 2008, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it did not cover anyone else's.[75] Banksy invited artists from around the world to exhibit their works.[76]
The inhabitants are called Berckois. Over the past two centuries there has been a steady growth in the population of the town, which in the 1793 census was 983, only a little more than the 800 recorded in 1301. In 1851 this had doubled to 2,216 and after the commercial development during the second half of that century had climbed to 7,799 by 1901. It more than doubled again by 1936 (16,700) but fell to 11,529 by 1946 and as of 2009 stands at 15,565.[25]
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The work famously shredded itself shortly after it was hammered down at £1 million ($1.4 million) at a Sotheby’s auction in London in October. Following the sale, the artist changed the title from Girl with a Balloon to Love is in the Bin and the winning bidder, identified only as a female European collector, decided to keep the work in its newly destroyed form.
Dismaland was a temporary art project organised by street artist Banksy, constructed in the seaside resort town of Weston-super-Mare in Somerset, England.[1] Prepared in secret, the pop-up exhibition at the Tropicana, a disused lido, was "a sinister twist on Disneyland" that opened during the weekend of 21 August 2015[2] and closed permanently on 27 September 2015, 36 days later. Banksy described it as a "family theme park unsuitable for children."[3]
The steady sea breezes and the updraft created by the neighbouring dunes once made the town the centre of a number of aeronautical experiments. These began in the final decades of the 19th century with early trials of photography from unmanned kites. Among the first working locally was the English meteorologist E.D.Archibald in 1887; he was followed the next year by Arthur Batut and during 1889-91 by Emile Wenz.[20] The experiments continued until 1914 and some of the photos found commercial use on postcards.[21]
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